When did the mirror by Jafar Panahi come out?

The Mirror ( Ayneh) is Panahi’s second film and was released in 1997. In order to appreci ate The Mirror, it is useful to reflect on certain conditions of the Iranian film scene.

Who is the director of the movie The Mirror?

The Mirror ( Persian: آینه Ayneh ‎) is a 1997 Iranian film directed by Jafar Panahi, about a little girl trying to find her way home from school. Mina, a first-grader, finds her mother has failed to pick her up from school. The movie is about her endeavor to find her way home amidst the noise, confusion and chaos of Tehran.

What kind of film is the Mirror 1997?

The filmmaking style therefore changes to a documentary style entirely consisting in close-ups (heh) and tracking shots that result in an incredibly vivid journey through the streets of Tehran. And I’m not done… + Level 3: The entire film being watched.- But, this is still a film, right?

What was the first film Jafar Panahi made?

Panahi’s first film, the Kiarostami-scripted White Balloon, was another offering in this genre and depicted a seven-year-old girl’s afternoon-long efforts in the city streets to buy a goldfish in preparation for the Iranian new year festivities.

Who is Jafar Panahi and what did he do?

Jafar Panahi (Born 11 July 1960) is an Iranian film director, screenwriter, and film editor, commonly identified with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian film-maker Abbas Kiarostami, Panahi achieved international recognition with his feature film

Why was Jafar Panahi banned from making movies?

Several people try to help a little girl to find the money her mom gave her to buy a goldfish with. Jafar Panahi is banned from making movies by the Iranian government, he poses as a taxi driver and makes a movie about social challenges in Iran. Three actresses at different stages of their career.

How long is the film Sufi by Jafar Panahi?

While Kiarostami typically uses austere, long-duration static camera shots of people in close conversation, Panahi opens up this film with a spectacular three-and-half-minute panning shot that makes a full 360-degree circuit around a traffic circle.