What is Lucian Freud art style?

Contemporary art
Modern artRealismExpressionismSurrealism
Lucian Freud/Periods

How much do Lucian Freud paintings sell for?

LONDON (Reuters) – A nude painting by Lucian Freud has sold for $29 million dollars at auction, the highest price paid for one of the British figurative artist’s works in London, according to auction house Sotheby’s.

How many paintings did Lucian Freud paint?

283 artworks
Lucian Freud – 283 artworks – painting.

What is Lucian Freud best known for?

Lucian Freud, in full Lucian Michael Freud, (born December 8, 1922, Berlin, Germany—died July 20, 2011, London, England), British artist known for his work in portraiture and the nude. Sometimes called a realist, he painted in a highly individual style, which in his later years was characterized by impasto.

Where can I see Lucian Freud’s paintings?

His works have been acquired by numerous prestigious public collections, including the Museum of Modern Art, New York; the National Gallery of Art, Washington, DC; and the Centre Pompidou, Paris. A 1987 exhibition at the Hirshorn raised his stature in the United States. In 1993 the the Metropolitan Museum of Art mounted a retrospective of his work.

Who was Lucian Freud and what did he do?

Lucian Michael Freud (/ˈljuːsiən ˈfrɔɪd/; 8 December 1922 – 20 July 2011) was a British painter and draftsman, specializing in figurative art, and is known as one of the foremost 20th-century portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud.

What kind of horses did Lucian Freud paint?

His portraits solely of horses include Grey Gelding (2003), Skewbald Mare (2004), and Mare Eating Hay (2006). Wilting houseplants feature prominently in some portraits, especially in the 1960s, and Freud also produced a number of paintings purely of plants.

When did Lucian Freud Paint Girl with a white dog?

Girl with a White Dog, 1951–1952, (Tate) is an example of a transitional work in this process, sharing many characteristics with paintings before and after it, with relatively tight brushwork and a middling size and viewpoint. He would often clean his brush after each stroke when painting flesh, so that the colour remained constantly variable.