Is the Sea of Galilee painting missing?
Is the Sea of Galilee painting missing?
The Storm on the Sea of Galilee is a 1633 oil-on-canvas painting by the Dutch Golden Age painter Rembrandt van Rijn. It was previously in the Isabella Stewart Gardner Museum in Boston but was stolen in 1990 and remains missing. It is Rembrandt’s only seascape.
How much is the Rembrandt seascape worth?
Rembrandt’s The Storm on the Sea of Galilee, value: $100 million – priceless.
How can I find out how much my painting is worth?
How to Find How Much Paintings Are Worth
- Check the painting for the artist’s signature.
- Search art reference books to confirm the painter’s identity.
- Search auction records for the prices of other paintings by the artist.
- Pay an art appraiser for a professional estimate of the painting.
What is the most expensive missing painting?
The largest art theft in world history occurred in Boston on March 18, 1990 when thieves stole 13 pieces, collectively valued at $500 million, from the Isabella Stewart Gardner Museum. Among the pieces stolen was Vermeer’s The Concert, which is considered to be the most valuable stolen painting in the world.
When was the storm on the Sea of Galilee painted?
The Storm on the Sea of Galilee. The Storm on the Sea of Galilee is a 1633 painting by the Dutch Golden Age painter Rembrandt van Rijn. It was previously in the Isabella Stewart Gardner Museum in Boston, but was stolen in 1990 and remains missing.
When did Rembrandt paint the Sea of Galilee?
The Storm on the Sea of Galilee Artist Rembrandt van Rijn Year 1633 Medium Oil on canvas Movement Dutch Golden Age painting
Who is at the stern of the Sea of Galilee?
Christ, who is seated at the stern, is awoken and appears to admonish the disciples just as he is about to command the storm to stop. It is this miracle that Rembrandt depicts. The mast of the ship points toward two corners of the painting. This serves to divide the painting into two triangles.
Where is the mast on the Sea of Galilee?
The mast of the ship points toward two corners of the painting. This serves to divide the painting into two triangles.