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How did Gregory Crewdson start photography?

How did Gregory Crewdson start photography?

Gregory Crewdson was born in Brooklyn, New York, in 1962. His first experience of photography, at the age of ten, was a Diane Arbus retrospective at the Museum of Modern Art in New York. Crewdson plans to direct a feature film in the future.

What type of photography does Gregory Crewdson do?

Photography
Photograph
Gregory Crewdson/Forms

Who influenced Gregory Crewdson?

Edward Hopper
Diane ArbusWilliam EgglestonWalker Evans
Gregory Crewdson/Influenced by

Where does Gregory Crewdson shoot?

Yale
Crewdson teaches photography at Yale, but making pictures is his “main job”; a Crewdson print can sell for up to $150,000. He insists it’s not about money. “It’s just about trying to find something elusive and beautiful and mysterious in the world,” he says.

How long has Gregory Crewdson been a photographer?

Gregory Crewdson was born in Brooklyn in 1962. Crewdson received a B.A. from the State University of New York at Purchase in 1985 and an M.F.A. in photography at Yale in 1988. He has exhibited widely in the United States and Europe and is represented by Gagosian Gallery in New York and White Cube in London.

When was Gregory Crewdson famous?

Gregory Crewdson (American, born 1962 ) Gregory Crewdson (American, b. 1962) is best known for his photographs, which feature elaborately staged, surreal tableaus of suburban life.

What is considered still life photography?

Still life photography is basically any image depicting an inanimate subject, either natural or man-made. Often confused with product photography, still life photography is often more an arty or conceptual form of photography (it isn’t necessarily designed to sell the item you’re photographing).

What is Gregory Crewdson famous for?

Crewdson is recognized for his elaborately staged scenes of small town American life. His photographs have dramatic and cinematic qualities, and he often has an extensive support crew on site for proper staging and lighting.

What does Gregory Crewdson use?

Crewdson now uses a Phase One camera, set up like a view camera. Previously he used a large format Sinar 8×10 view film camera with a 210mm lens. The 210mm is a wide lens and is roughly the equivalent of 28mm in 35mm photography. The large-format camera helps capture all the detail for his huge 7ft gallery prints.

What lens does Gregory Crewdson use?

What was Crewdson’s father’s job?

Gregory Crewdson’s father was a psychologist with a particular interest in Freudian analysis.

What made Gregory Crewdson famous?

Gregory Crewdson was born in Brooklyn in 1962. Crewdson is recognized for his elaborately staged scenes of small town American life. His photographs have dramatic and cinematic qualities, and he often has an extensive support crew on site for proper staging and lighting.

Where did Gregory Crewdson live as a child?

Monograph. Gregory Crewdson (American, b.1962) is best known for his photographs, which feature elaborately staged, surreal tableaus of suburban life. Born in the Park Slope neighborhood of Brooklyn, NY, Crewdson played in a punk rock band as a teenager, before attending the State University of New York at Purchase, where he earned his BFA.

What did Gregory Crewdson say about the limitations of photography?

To commemorate the release of Gregory Crewdson: Brief Encounters (a documentary tracing his decades of work), Crewdson sat down with The American Reader to talk about the limitations of photography, the challenge of human connection, and the overlap between the two. A selection of Mr. Crewdson’s photographs can be viewed in the slideshow above.

When did Gregory Crewdson graduate from Yale University?

In 1988, he graduated from Yale University with an MFA in photography, and since 1993 has served on its faculty, currently as the director of its graduate studies in photography. He has cited Steven Spielberg, Diane Arbus, and Edward Hopper as influences to his practice.

What are the main themes of Gregory Crewdson’s work?

Gregory Crewdson’s carefully staged photographs concentrate on a tension between domesticity, nature, and the unknown. The characters in his elaborate constructions act subconsciously, as if under the spell of a foreign entity. Their unusual actions suggest a mysterious narrative involving supernatural contact.