Why did Buster Keaton never smile?

Then, as now, many moviegoers believed that Keaton, who died 53 years ago on February 1, never smiled. According to the organization, it was just a shtick: “The Great Stone Face was a theatrical contrivance—nothing more, nothing less. It worked for him, and so he continued it.”

Was Charlie Chaplin friends with Buster Keaton?

“Well Sir, He’s a Scream,” Picture-Play Magazine, 1927. Chaplin and Keaton were also friends offscreen–Keaton once said, “We spoke the same language.” They clearly studied each other’s work, since similar gags would pop up in both their films. Chaplin visits the Comique set in 1918.

What was Buster Keaton’s last movie?

Keaton’s last commercial film appearance was in A Funny Thing Happened on the Way to the Forum (1966), which was filmed in Spain in September–November 1965.

What was Buster Keaton’s nickname?

Buster
MalecThe Great Stone Face
Buster Keaton/Nicknames

Why was Buster Keaton known as the great stone face?

He is best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression that earned him the nickname “The Great Stone Face”.

What was the best movie Buster Keaton ever made?

Many of Keaton’s films from the 1920s remain highly regarded, such as Sherlock Jr. (1924), The General (1926), and The Cameraman (1928), with The General widely viewed as his masterpiece. Among its strongest admirers was Orson Welles, who stated that The General was cinema’s highest achievement in comedy, and perhaps the greatest film ever made.

When did Buster Keaton appear in the movie limelight?

Keaton also appeared in a comedy routine about two inept stage musicians in Charlie Chaplin’s Limelight (1952), recalling the vaudeville of The Playhouse. With the exception of Seeing Stars, a minor publicity film produced in 1922, Limelight was the only time in which the two would ever appear together on film.

Why was Buster Keaton billed as the little boy who can’t be damaged?

However, Buster Keaton was always able to show the authorities that he had no bruises or broken bones. He was eventually billed as “The Little Boy Who Can’t Be Damaged”, with the overall act being advertised as “The Roughest Act That Was Ever in the History of the Stage”.