What is Poulenc known for?

Francis Poulenc, (born Jan. 7, 1899, Paris, France—died Jan. 30, 1963, Paris), composer who made an important contribution to French music in the decades after World War I and whose songs are considered among the best composed during the 20th century. Poulenc was largely self-taught.

Where did Francis Poulenc come from?

8th arrondissement of Paris, Paris, France
Francis Poulenc/Place of birth

What is the musical elements of Francis Poulenc?

French composer and pianist Francis Poulenc is known for his perfection of melody, his aptitude for textual application, use of diatonic elements, and an eclectic and personal musical style which incorporates wit, elegance, emotional depth, and a mirroring of his own manic depressive tendencies.

Who was Poulenc influenced by?

Born in Paris in 1899, Poulenc’s mother was an amateur pianist who taught him to play. As a young composer, he was influenced by musicians like Debussy, Satie, and Stravinsky – he caught the latter’s attention with his first surviving composition, Rapsodie Nègre, written in 1917.

Who did Poulenc marry?

1950–63: The Carmelites and last years. Poulenc began the 1950s with a new partner in his private life, Lucien Roubert, a travelling salesman.

What is the greatest contribution of Francis Poulenc?

Known as one of the greatest composers of art songs of the 20th century, Poulenc also left an impressive legacy of a cappella or accompanied choral works, popular sonatas for wind instruments, and three operas, including Dialogues des Carmélites, which continues to be performed at leading theaters around the world.

What musical period is Poulenc?

neo-classical movement
One of the great melodists of the twentieth century, Poulenc was largely self-taught as a composer. In the early 1920s he belonged to the Paris-based group of composers Les Six who led the neo-classical movement, rejecting the overstated emotion of Romanticism.

How many piano concertos did Poulenc?

five concertos
The Piano Concerto in C-sharp minor, FP 146, by Francis Poulenc is the last of his five concertos. Written in 1949 on commission from the Boston Symphony Orchestra, it has three movements and a duration of about 20 minutes….Piano Concerto (Poulenc)

How many works did Poulenc make?

Poulenc’s principal works for large orchestra comprise two ballets, a Sinfonietta and four keyboard concertos. The first of the ballets, Les biches, was first performed in 1924 and remains one of his best-known works.

How did Poulenc pronounce his name?

A weekly guide to words and names in the news from Lena Olausson of the BBC Pronunciation Unit. The other name that causes much frustration among our Radio 3 listeners, Dukas, is in fact pronounced due-KASS, and not due-KAA.

How do you pronounce Paul Dukas?

This article from a BBC blog sates that “Dukas, is in fact pronounced due-KASS, and not due-KAA. This pronunciation was passed on to the pronunciation unit in 1955 by a friend of the Dukas family, who assured us that this was the composer’s own pronunciation.”

When did Francis Poulenc write the organ concerto?

The Concerto pour orgue, cordes et timbales (Concerto for organ, timpani and strings) in G minor, FP 93, is an organ concerto composed by Francis Poulenc between 1934 and 1938.

Who was the princess who commissioned Poulenc to play the organ?

The organ concerto was commissioned by Princess Edmond de Polignac in 1934, as a piece with a chamber orchestra accompaniment and an easy organ part that the princess could probably play herself. The commission was originally given to Jean Françaix, who declined, but Poulenc accepted.

What was the name of Francis Poulenc’s father?

1899 Birth of Francis Poulenc on 7 January. His father, Emile Poulenc, born in 1855, is an industrialist from the Aveyron region who, with his two brothers, runs a chemical factory. His mother, Jenny Royer, is from a family of artisans whose Parisian roots date back several generations.

What kind of music did Francis Poulenc play?

Poulenc also studied the organ music of Buxtehude and Bach, whose influence is reflected in the work’s neo-Baroque figuration and ornamentation and in its occasional harmonic anachronisms. The concerto is structured as a single continuous movement with the character of a fantasia.