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Why did Mary Cassatt paint the little girl in a blue armchair?

Why did Mary Cassatt paint the little girl in a blue armchair?

Little Girl in a Blue Armchair stands as a testament to the newly formed relationship between Mary Cassatt and the impressionists, and to her assimilation of a freer style of painting.

What subject matter is Mary Cassatt most famous for painting?

So the subject matter most available to Cassatt for capturing onto her canvases were the lives of contemporary women and their roles as mothers.

Was Mary Cassatt married?

Cassatt herself never married or had children, choosing instead to dedicate her entire life to her artistic profession.

What did Mary Cassatt enjoy painting the most?

While many of her fellow Impressionists were focused on landscapes and street scenes, Cassatt became famous for her portraits. She was especially drawn to women in everyday domestic settings, especially mothers with their children.

Who is the artist of little girl in a Blue Armchair?

Little Girl in a Blue Armchair is an 1878 oil painting by the American painter, printmaker, pastelist, and connoisseur Mary Cassatt. It is in the collection of the National Gallery of Art, Washington D.C. Edgar Degas made some changes in the painting.

How big is little girl in Blue Armchair by Mary Cassatt?

Girl sprawled on blue armchair (detail), Mary Cassatt, Little Girl in a Blue Armchair, 1878, oil on canvas, 89.5 x 129.8 cm (National Gallery of Art, Washington D.C.)

Why is a little girl sitting in a blue chair?

The dominance of the overstuffed furniture with its vibrant blue upholstery captures an odd sense of restlessness and languorousness, both matched by the girl’s pose. A parent would tell her to sit up properly and there is a rebellious, devil-may-care attitude in her comfortably lounging form.

What did Germaine Greer say about little girl in blue?

14. Cassatt & Little Girl in a Blue Armchair have been celebrated as feminist. In 2006, feminist academic Germaine Greer argued that Cassatt’s rejection of cuddly clichés in depicting children and their mothers was revolutionary.