What is Revolutionary Etude?

Nickname of Chopin’s Étude in C minor for piano op. 10 no. 12 (1830), so called because it is said that he composed it as a patriotic reaction to hearing that Warsaw had been captured by the Russians.

What inspired Chopin’s Revolutionary Etude?

Influences. The end of the étude alludes to Ludwig van Beethoven’s Piano Sonata No. 32, written in the same key—a piece Chopin is known to have greatly admired – compare bars 77–81 in the Étude to bars 150–152 in the first movement (also ending in C major) of Beethoven’s sonata.

What is the nationality of Revolutionary Etude?

French
The Op. 10 Etude, No. 12 in C minor, known as the Revolutionary Etude, is a piano piece by Fryderyk Chopin alone (in French, Frédéric François Chopin, Zelazowa Wola, Grand Duchy of Warsaw, March 1 or 22 February 1810- Paris, October 17, 1849) composed around 1831.

When did Chopin write the Etude Etude No.12?

Opening of the Revolutionary Étude Étude Op. 10, No. 12 in C minor, known as the ” Revolutionary Étude ” or the ” Étude on the Bombardment of Warsaw “, is a solo piano work by Frédéric Chopin written circa 1831, and the last in his first set, Etudes, Op. 10, dedicated ” à son ami Franz Liszt ” (“to his friend Franz Liszt “).

Why did Chopin come up with the name Revolutionary Etude?

chopin is supposed to have wrote this etude in a rage after hearing about the russion overthrow of warsaw. this story probably has more base in fiction than fact, but at least the name is slightly more credible than some of the stupid names that people have tacked on the end of chopin pieces, which i think trivializes the music.

When did Chopin write the etude on the bombardment of Warsaw?

10, No. 12 in C minor, known as the “Revolutionary Étude” or the “Étude on the Bombardment of Warsaw”, is a solo piano work by Frédéric Chopin written circa 1831, and the last in his first set, Etudes, Op. 10, dedicated “à son ami Franz Liszt” (“to his friend Franz Liszt

What was the tempo Vivace of Chopin’s Etude Op 10?

American music critic James Huneker (1857–1921) believed it to be “simpler, less morbid, sultry and languorous, therefore saner, than the much be-praised study in C sharp minor (Étude Op. 25, No. 7)”. Chopin originally gave his Op. 10 No. 3 Etude the tempo Vivace, later adding ma non-troppo.