Why is Bridget Riley so important?
Why is Bridget Riley so important?
The Legacy of Bridget Riley Riley became an icon, not just of Op art, but of contemporary British painting in the 1960s, and she was the first woman to win the painting prize at the Venice Biennale in 1968. Riley’s innovations in art inspired a generation of Op artists, including Richard Allen and Richard Anuszkiewicz.
What is Bridget Riley’s most famous?
Current. Current graced the cover of the catalog for the seminal 1965 MoMA exhibition of Op Art, “The Responsive Eye,” that launched Riley’s notoriety in the United States.
What subject matter does Bridget Riley focus on?
During the course of a career spanning more than 50 years, Bridget Riley has established herself as a major figure in abstract painting and printmaking, relentlessly investigating the optical and emotional possibilities of colours and shapes.
What are some interesting facts about Bridget Riley?
Facts about Bridget Riley tell you about the notable English painter. She was born in Norwood, London on 24 April 1931. Her father is John Fisher Riley. He was a printer from Yorkshire. Her family moved to Lincolnshire in 1938. Now Riley works and lives in the Vaucluse in France and London, Cornwall. Here are some facts about Riley for you:
Where did Bridget Riley work as a teacher?
Riley was a teacher in the beginning of her career. She worked at Convent of the Sacred Heart, Harrow in 1957 until 1958 as an art teacher. In 1962 until 1964, she worked at Hornsey College of Art, and Croydon College of Art. Look at Facts about Brian Froud here.
Where does Bridget Riley work as an illustrator?
Now Riley works and lives in the Vaucluse in France and London, Cornwall. Here are some facts about Riley for you: Riley worked as an illustrator when she joined J. Walter Thompson advertising agency. Before being a part time illustrator in the agency, she worked in a glassware shop.
What did Bridget Riley paint in the 1960s?
Bridget Riley’s geometric paintings implore the viewer to reflect on how it physically feels to look. Her paintings of the 1960s became synonymous with the Op Art movement, which exploited optical illusions to make the two-dimensional surface of the painting seem to move, vibrate, and sparkle.