What LUFS should my mix be before mastering?

I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. This will allow the mastering engineer the opportunity to process your song, without having to resort to turning it down.

What is mastering vs mixing?

Mixing involves adjusting and combining individual tracks into a stereo or multichannel format, a.k.a. the mix. Mastering involves processing your mix into its final form so that it’s ready for distribution, which may include transitioning and sequencing the songs.

Does a good mix need mastering?

There is some debate of whether or not sending music into a professional mastering studio is a necessity. If the mix does not need any modifying : it is at a perfect volume level, fades are well done, EQ is consistent throughout, compression is right on, etc.; then there is no need for mastering.

Which is the best way to prepare a mix for mastering?

Overusing processors especially dynamic processors (compressors) on the master bus can destroy a mix and make it difficult, if not impossible for the mastering engineer to make a great master. Unless there’s a specific sound of a master bus processor desired for the mix, it’s best to keep the master buss free of outboard processing or plugins.

What should I look for when mixing music for radio?

When making a radio mix, aim for a good solid overall level (but watch out for digital clipping!). Bear in mind that even the best mix/mastering job won’t matter if the song is ill suited for airplay. Therefore, consider how the average listener might respond to the first 5-10 seconds of a prospective track.

How many alternate mixes can a mastering engineer do?

Many pros will do two or three alternate mixes of a track, one with the lead vocal a bit up, one with it a bit down, and one in the middle. It’s a luxury of choice that most mastering engineers are happy to have. 7. Misaligned Tracks This one is a no-brainer.

When do you start mastering a new song?

Mastering starts when the mix finishes. It’s important that we export our mix session correctly otherwise it can make mastering a lot more difficult than it has to be. Make sure that you leave at least 3dB – 6dB of headroom when you export your final mix.