Articles

What is Hans Zimmer most famous piece?

What is Hans Zimmer most famous piece?

The 10 best Hans Zimmer soundtracks

  • Gladiator. It’s a soundtrack that has gone on to achieve legendary status for Zimmer, from the beautiful, otherworldly ‘Elysium’ to the epic orchestral ‘Honour Him’.
  • Pirates of the Caribbean.
  • Sherlock Holmes.
  • Inception.
  • The Dark Knight.
  • The Lion King.
  • The Da Vinci Code.
  • Interstellar.

What is Hans Zimmer major works?

The best film scores of Hans Zimmer, ranked

  • Driving Miss Daisy (Bruce Beresford, 1989)
  • The Amazing Spider-Man 2 (Marc Webb, 2014)
  • Da Vinci Code (Ron Howard, 2006)
  • Pirates of the Caribbean: At World’s End (Gore Verbinski, 2007)
  • The Rock (Michael Bay, 1996)
  • The Dark Knight (Christopher Nolan, 2008)

Which is the best soundtrack of Hans Zimmer?

Here are his greatest soundtracks to date (no questions asked). It’s a soundtrack that has gone on to achieve legendary status for Zimmer, from the beautiful, otherworldly ‘Elysium’ to the epic orchestral ‘Honour Him’.

What was Hans Zimmer’s Original Score for inception?

Inception. Unbelievably, Zimmer revealed his entire score for the Christopher Nolan film originated from Edith Piaf’s song ‘Non, Je Ne Regrette Rien’ – from the thunderous trombone theme to the threatening semitone-based melody in the violins. But, he argued, he should still be eligible for an Oscar for Best Original Score.

What did Hans Zimmer do for The Lion King?

The composer won his first Oscar for Disney’s The Lion King (1994), in which he seamlessly blended large orchestral forces with the African choral music of Lebo M and Elton John’s songs. Plus, Disney are taking Zimmer on for a second time in their 2019 live-action remake of the movie, starring Donald Glover and Beyoncé.

How did Hans Zimmer get the song Non je ne regrette rien?

Unbelievably, Zimmer revealed his entire score for the Christopher Nolan film originated from Edith Piaf’s song ‘Non, Je Ne Regrette Rien’ – from the thunderous trombone theme to the threatening semitone-based melody in the violins. But, he argued, he should still be eligible for an Oscar for Best Original Score.