How high should my drum overheads be?

Overhead Mic Placement: Up and Down It can be an excellent ambience adjustment. To even the arrival times you can place the two overhead mics at two different heights, as few as 2–3 inches or up to 8–10 inches if necessary. This will solidify the center image that is so important to your drum sound.

How much compression do I need for drum overheads?

Your aim is to increase the size of the room sound, so use a slow enough attack time so that the transients are unaffected by the compressor and have the release set timed to the track. Set the ratio at around 6:1. If you want the room tone or natural reverb to be emphasized more, use a faster release time.

Should I compress drum overheads?

As a general rule, compressing the close mics will help you deliver a punchy, even sound, without making the result seem too processed, whereas compressing the overheads or the complete kit can cause the drum levels to modulate the cymbal levels in an audible way.

What is a typical drum overhead miking technique?

The “Recorderman” technique is a close-overhead technique that attempts to put both mics equidistant from both the snare and the kick drum. One mic stands about 32” above the snare, pointing straight down, while the other sits over the drummer’s right shoulder, pointing at the snare.

How high is mono overhead?

The ceiling height and the position of mono overhead mics must be taken into consideration. Stay away from 8′ ceiling heights. Mono overhead mics must be far enough away from the drums but also far enough away from the ceiling. If the mono overhead mics are too close to the drums we have unwanted pressure issues.

What drum mics are best?

The Top 10 Drum Mics of 2021

• #1. The Audix D6 Dynamic Microphone.
• #2. The Shure SM57-LC Cardioid Dynamic Drum Microphone.
• #3. The Sennheiser 604 Microphone System.
• #4. Shure Beta 52 Dynamic Drum Microphone.
• #5. The AKG D112 Drum Microphone.
• #6. The Audix DP5A Pack.
• #7. The Sabian Sound Kit Drum Set.
• #8.

Where do you put XY overheads?

XY. Setup is pretty well as it sounds, put the mics right next to each over the kit, with one mic pointing towards one side of the kit, one pointing the other. The almost form a “V” when done right. The big advantage to this method is that the phase correlation between the two mics is great.

Is the at4040 cardioid condenser a good mic?

The AT4040s are really good in a close-mic configuration, which can overwhelm other mics because it’s louder than distance mic’ing. Likewise, the AT4040s are not overwhelmed by the extremely complex high frequency structures that result from playing jazz harmonies on a bright piano like the C6.

Where to place overhead mics in drum set?

The audio center is the new guideline to use as you place your overhead mics for adequate coverage. If you balance the levels of your overheads in a way that keeps the snare and kick centered, you will have a strong, coherent picture when you add the kick, overheads, and snare mics to the mix.

Which is better a C6 or an at4040?

This makes the C6 a great instrument for jazz and other pop music, but a challenge to record from above the strings or at a distance (as in a hall). The AT4040s are really good in a close-mic configuration, which can overwhelm other mics because it’s louder than distance mic’ing.