How long is Spem in Alium?

40
Spem in alium (Latin for “Hope in any other”) is a 40-part Renaissance motet by Thomas Tallis, composed in c….

How many parts are in Spem in Alium?

To create Spem in alium nunquam habui, the composer organized his choristers into eight separate choirs, each containing five voice parts. Thus, Tallis’s score has 40 distinct vocal parts that were designed to fit together harmonically and must be kept in aural balance.

How many compositions did Thomas Tallis write?

Tallis’s keyboard music is regarded as substantial and significant. Of his 20 extant keyboard pieces, most appear in the mid-16th-century manuscript known as the Mulliner Book. Tallis’s work lived on into the 21st century, aided by such groups as the Tallis Scholars, who performed and recorded music of the Renaissance.

What music did Thomas Tallis compose?

Our school is named after composer Thomas Tallis. He was a true original who made music for the kings and queens of the 16th Century, and who lived in Greenwich. Two of his most famous pieces are Spem In Allium and If Ye Love Me which are still regularly played today.

Where was Spem Alium composed?

We tell the stories behind Tallis’s renowned choral work. In the February issue of Building a Library we explore Tallis’s Lamentations. Here, we introduce you to Tallis’s other renowned choral work, the beautiful Spem in Alium. Thomas Tallis’s Spem in alium was composed in c1570 and is scored for 40 voices.

Who is the composer in the Tudors?

Trevor Morris
The Tudors/Composers

What happened to the musician in the Tudors?

Returning from France in episode 1.07, Tallis is devastated to learn that Compton has died during an outbreak of the sweating sickness; he tearfully smashes his lute over Compton’s grave marker, admitting he doesn’t know what to say to him.

What job did Tallis receive that really allowed his music career to take off?

Tallis served at court as a composer and performer for Henry VIII, Edward VI, Mary I, and Elizabeth I. He was first designated as an organist at the chapel after 1570, although he would have been employed as an organist throughout his career.

Was Thomas Tallis Catholic?

He avoided the religious controversies that raged around him throughout his service to successive monarchs, though he remained, in the words of the historian Peter Ackroyd, an “unreformed Roman Catholic”. Tallis was capable of switching the style of his compositions to suit each monarch’s different demands.

What are Thomas Tallis contributions to music?

Tallis wrote a quantity of Latin church music and contributed also to the reformed English liturgy, in some cases adapting earlier Latin compositions. One of his most remarkable achievements is the 40-voice Spem in alium. His setting of the Latin Holy Week liturgy Lamentations represents his work at its height.

What happened to the first musician in the Tudors?

When did Thomas Tallis publish his first motet?

The first publication under their license was a collection of 34 motets, 17 by Tallis and 17 by Byrd (perhaps referring to the 17 years of Elizabeth’s reign to date), entitled Cantiones sacrae, printed by T. Vautrollier in 1575.

Who was Thomas Tallis and what did he do?

Thomas Tallis, (born c. 1505, Kent?—died November 20 or 23, 1585, Greenwich, London), one of the most important English composers of sacred music before William Byrd. His style encompassed the simple Reformation service music and the great Continental polyphonic schools whose influence he was largely responsible for introducing into English music.

Where can I find all of tallis’keyboard works?

Of his 20 extant keyboard pieces, most appear in the mid-16th-century manuscript known as the Mulliner Book. Tallis’s work lived on into the 21st century, aided by such groups as the Tallis Scholars, who performed and recorded music of the Renaissance.

How did Thomas Tallis Music survive the Renaissance?

Tallis’s work lived on into the 21st century, aided by such groups as the Tallis Scholars, who performed and recorded music of the Renaissance. Its survival was also helped in part by English composer Ralph Vaughan Williams, whose highly popular Fantasia on a Theme by Thomas Tallis (1910; rev.