Guidelines

How much do handbells weigh?

How much do handbells weigh?

The smaller the handbell, the higher the sound. The bells range from two inches to more than 15 inches in diameter. Some of the larger bells can weigh more than 15 pounds. For example a C8 may weigh 8 ounces, while a G2 can weigh in at over 18 pounds!

What special techniques can be done with handbells?

There are other ways to play music besides traditional ringing. Other techniques include plucking, shaking (or trilling), table damping (or martellato), and malleting bells (on the table or suspended).

Which handbell is middle C?

Handbells are a transposing instrument, meaning music is written one octave lower than the sound the bells make, so a middle C bell is playing the note C5. (For simplicity, the bell would still always be referred to as middle C or C5.)

Where can I get a handbell notation guide?

Handbell/handchime notation, difficulty levels, and solo and ensemble notation are covered in this three-part, thirty-two-page book. Revised 2016. Available from most handbell retailers or directly from Lorenz Publishing, distributor of AGEHR Music Publications. Taken from the Handbell an Handchime Notation Guide ©2010 AGEHR Music Publishing

Which is the reference book for handbells and handchimes?

The industry-standard reference book for handbells and handchimes, now available in its ninthh edition. Handbell/handchime notation, difficulty levels, and solo and ensemble notation are covered in this three-part, thirty-two-page book.

What does BD stand for in handbell notation?

We offer Handbell and Solo/Ensemble notation sheet lifters that are designed to fit in your music notebook and a Handbell notations poster that measures 20″ x 26″. A BD indicates that a ringing handbell is brushed downward against the chest resulting in a sudden reduction of volume.

How does the VIB effect work in handbell notation?

In handbell notation both pitches may be notated. To achieve the vib. effect, ring the handbell, gently move the handbell from side to side using the wrist, not the arm, to produce a wavering sound. The movement of any voice, melody, or other line from one staff to another may be clarified by the use of voice-leading lines.