How high could Pavarotti sing?

That’s a C#3 (one octave below middle C) up to an F5 (an octave above middle C). But besides the size of the range, it’s the power and quality of the voice as it hits those dizzying heights that impresses the most. If you fancy more high notes, listen to Maria Callas’ incredible vocal range.

What is Luciano Pavarotti voice type?

operatic lyric tenor
Luciano Pavarotti, (born October 12, 1935, Modena, Italy—died September 6, 2007, Modena), Italian operatic lyric tenor who was considered one of the finest bel canto opera singers of the 20th century.

What is Pavarotti highest note?

Pavarotti’s fame around the world. That is no surprise. The tenor high C has a long and noble tradition, and a healthy dose of mystique. “It’s the absolute summit of technique,” said Craig Rutenberg, the Metropolitan Opera’s director of musical administration — in effect, its chief vocal coach.

Do Tenors sing high?

Unsourced material may be challenged and removed. A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is one of the highest of the male voice types. At the highest extreme, some tenors can sing up to the second F above middle C (F5).

When did Pavarotti sang 9 consecutive high Cs?

When Pavarotti sang 9 high Cs live at the Met Opera. Picture: YouTube/OperaMyWorld They didn’t call him the King of the High Cs for nothing… Luciano Pavarotti is remembered as one of the greatest tenors of our time. He took a joy in singing that unfailingly rubbed off on the audience.

Why was Luciano Pavarotti called King of the high C’s?

A PUBLICIST long ago gave Luciano Pavarotti the sobriquet King of the High C’s, for his remarkable ability to hit and sing the heck out of one of the highest notes of the tenor voice. The tag followed Mr. Pavarotti, who died last week, into most of his obituaries. His voice, especially earlier in his career, was remarkable across its range.

What did Pavarotti sing at the met in 1973?

Live at New York’s Metropolitan Opera House in 1973 Pavarotti was performing in Donizetti ’s La fille du régiment, and the time came to sing ‘Ah! Mes amis, quel jour de fête!’ – an aria that’s been called the ‘Mount Everest’ for tenors. Also known as ‘Pour mon âme’ (‘For my soul’), the aria has nine high Cs in the space of about a minute.

Why was Luciano Pavarotti so important to classical music?

Pavarotti was undoubtedly one of the most important figures in classical music in the last 100 years, thanks to his accessible and passionate style. And as the ‘King of the High Cs’, his voice was also a technical marvel.